جماليات اللون في رواية اللص والكلاب" ل (نجيب محفوظ)
Other Title(s)
The aesthetics of color in the novel "the thief and the dogs" by (Naguib Mahfouz)
Author
Source
مجلة كلية اللغة العربية بإيتاي البارود
Issue
Vol. 35, Issue 1 (30 Apr. 2022), pp.811-847, 37 p.
Publisher
Azhar University Faculty of Arabic Language in Etay al-Baroud
Publication Date
2022-04-30
Country of Publication
Egypt
No. of Pages
37
Main Subjects
Arabic language and Literature
Topics
Abstract AR
Abstract EN
The research aims to: reveal the manifestations of color within the narrative discourse, and highlight the geometric formation of color - within the narrative text - as an energy that reflects the psychological, social, and cultural dimensions of the novelistic characters, and its connotations: suggestive and symbolic of color within the narrative context, and reveal artistic affinity Between the narrative context and color as a signifying semiotic icon.
The research has adopted the semiotic approach, which is concerned with studying all systems of signs within social life; All: linguistic and non-linguistic signs and systems, signifiers, and the laws that regulate them; It is the main subject of this science, and among the reasons that prompted me to this study: - The color - in the novel “The Thief and the Dogs” - is an aesthetic addition that imposed itself on all the joints of the novel.
The writer employed color - within the novel - with artistic prowess; It produced: connotations, allusions, and multiple symbolisms.
Color is a prominent artistic phenomenon in the novel; Where she paid special attention to him, the writer invested the enormous energies that colors carry, and employed them - technically - to control the course of the narrative movement from the beginning of the text to its end.
The world cannot be imagined without colours; It is what gives things: their identity, qualities, and characteristics.
The color formed a prominent structure in the novel “The Thief and the Dogs” by Naguib Mahfouz; Where she took care of the employment of colors within her structure; To give: multiple connotations, various symbolic meanings; The narrative structure has increased: strength, depth, beauty, and artistry, and the creator has invested the enormous energies that colors carry in the text in: images, and various forms, starting with: the outer cover, the title, the color premise, and the structure of the text, and "Naguib Mahfouz" mastered the use of colors.
: direct, explicit, and indirect suggestive - within the novel - to generate multiple connotations and aesthetics, and finally the writer took care of highlighting the dimensions of color, which included: psychological, social, cultural, and religious dimensions.
American Psychological Association (APA)
سرحان، محمد كمال. 2022. جماليات اللون في رواية اللص والكلاب" ل (نجيب محفوظ). مجلة كلية اللغة العربية بإيتاي البارود،مج. 35، ع. 1، ص ص. 811-847.
https://search.emarefa.net/detail/BIM-1391519
Modern Language Association (MLA)
سرحان، محمد كمال. جماليات اللون في رواية اللص والكلاب" ل (نجيب محفوظ). مجلة كلية اللغة العربية بإيتاي البارود مج. 35، ع. 1 (نيسان 2022)، ص ص. 811-847.
https://search.emarefa.net/detail/BIM-1391519
American Medical Association (AMA)
سرحان، محمد كمال. جماليات اللون في رواية اللص والكلاب" ل (نجيب محفوظ). مجلة كلية اللغة العربية بإيتاي البارود. 2022. مج. 35، ع. 1، ص ص. 811-847.
https://search.emarefa.net/detail/BIM-1391519
Data Type
Journal Articles
Language
Arabic
Notes
-
Record ID
BIM-1391519