الإيقاع الصوتي : الدلالي في الشعر الفارسي الحديث "الشاعر نصرت رحماني أنموذجا"

Abstract EN

The modern Persian poem builds its musical structure on rhythm and meter.

The study aims to know the significance inspired by the phonetic system in modern Persian poetry in general, and Nusrat Rahmani's poetry in particular, and to determine the phonetic structure in Nusrat Rahmani's poetry in terms of sounds, syllables, and stress, and what this structure suggests of different indications according to the content, the predominance of syllables over some of them.

Some, and this affected the semantic time and speed of the text.

This study included an introduction and three main sections.

The first topic was titled: The poet Nusrat Rahmani, the second topic was titled: Syllabic Formation, and the third and final topic was titled: An Applied Study of the Semantic Phonetic Formation through the Selected Models.

The method used in the study: The study relies, as is evident from its title, on modern and contemporary linguistic studies through what emerged from structural theories in their postmodern form based on the descriptive analytical method, not unaware of other approaches that benefit from them, in order to promote the study with a new approach to Persian poetry The hadith was unfamiliar with the old lesson, holding on to the poetic text in its contemporary concept as a linguistic sound.