الأقطاب الثقافية والعوالم النصية في روايات زيد الشهيد

Abstract EN

The major and minor cultural poles played a prominent role in the novelistic production of Zaid al-Shaheed, as the novelist employed history and myth in his literary output in general, and the novelist in particular, through the real reality and imagination was employment.

through living and reading, many of the events that took place were embodied through the narrative narration and the novelist relied on them in the permanence of his narration and not on the grounds that the novelist is a historian.

however, many events neglected by history through the receptacle of the novel mentioned some events.

as for the other side or the other “legendary” pole, it was represented by many writers and artists in their works, and the aim was not to go back and be limited to the past, but rather for martyrdom and introducing the reader to the cultural past and its role in supporting the evaluation of the novel.

through the symbolism that carried the myth, it kept the novelist from using the vocabulary of the language of direct significance, and this helped her in delaying the semiotic approach to the analysis of narrative texts.

the intention was to support ideas that varied in paragraphs of narrative narration and one of the technical means used in writing.

this made literary texts “narrative” a carrier of strangeness and conveyed many things that people have always been unable to communicate for various political or social reasons within the circle of the silent.