The representation of thatcher's theatre in Caryl Churchill's "Top Girls": a social feminist study

Abstract EN

Carly Churchill has a rare position within British contemporary's post-war dramatists.

She is perhaps the most innovative and elusive writer of her age, an ardent advocate of women's equality and rights.

The socialist feminist ideology of Churchill is indeed unquestionably the best of the postmodern society.

Churchill lives under Thatcher's leadership, and she is among the leader who, not just in her nation but across the western world, transforms the cultural and social landscape of the state.

This pivotal event appears as a backdrop for Caryl Churchill to challenge how a competent lady in the patriarchal system has risen on the social ladder and what she does for women and the society in her era.

This study aims at knowing how Thatcher's theatre has depicted in Caryl Churchill's Top Girls.

The work tries to set the effect of Thatcher on women and society in the period of her role as a prime minister of Britain and how her legacy makes citizens be successful in their jobs, but hates everyone around them, including their friends, coworkers, and even their families.

The study hypothesizes that Churchill was affected by Thatcherism in her era and this influenced her style of writings.

The paper starts with an Introduction of the Top girls play and Thatcher's regime, then follows the methodology of the study and the discussion comes afterwards and it ends with a conclusion that points out the results of discussion.