المضمرات النسقية لخطاب المدح في مقامات ابن ميمون الجزائري : المقامة الأولى : "في نبذة من أخلاقه المرضية و مما أشار به عليه بعض السادات الصوفية" نموذجا

Abstract EN

The art of the Maqam in Arabic literature was varied and was influenced by the data of its environment.

it seemed to be a multi-theme and a bearer of different formats, sometimes identifiable, and resurfacing at other times.

this study seeks to reveal the contextual tacit in the first Maqam at “Ibn Maimon the Algerian” named (an overview of his satisfactory manners and some of what masters of Sufism have advised him).

on the surface, it seems to praise the personality of the Alday, Mohammed Bakdash, but this praise carries many connotations within it, so how can the praising discourse imply an implicit systemic system ? what forms of praise that Ibn Maimon used in his Maqams, and what are the connotations of these formats ?.

accordingly, this analytical study is presented according to the following themes : -forms of praise in Maqam of Ibn Maimon the Algerian : the first Maqam «an overview of his satisfactory manners and some of what master of Sufism have advised him.

-tacit forms of praise in Maqam of Ibn Maimon the Algerian.