شعرية الإيقاع في الخطاب الشعري الجزائري : أحمد سحنون نموذجا

Abstract EN

Algerian literary writings and in particular poetic rhetoric did not detract from the Arab geographical reality critically and creatively, which made it occupy an analytical position which elevated it to the universality of literature.

another, the imposition of different poems dictated by the current contexts or the artistic vision of the creative self, even if it oscillated between the fundamentalism of heritage and the lack of welcoming modernity among many poets who lived through the period of the great liberation revolution, and perhaps one of the most prominent speeches in which the aesthetic side diversified so, in simple language, it imposed itself in a period when the Algerian poetry was silent, as the poet of the association poet Ahmed Sahnoun, who dominated his traditional and traditionalist tendencies, dominated this work.

it is the aim of this article, in which he attempted to trace the rhythmic poetry in the Sahnani discourse from the dominance of external rhythms in models of his poems to the inner rhythm that highlights the poetic self-attenuation.