جماليات المضمر في أزياء العرض المسرحي العراقي المعاصر

Abstract EN

The implicit is one of the technical-rhetorical-literary methods, taking when working on several aspects and names, including-the subconscious, the hidden hidden meaning-the deceiver, the hidden meaning, the silence about it.

the (transformed) show, especially in one of its most prominent visual techniques (theatrical costume)-as a reading text, carrying in the folds of its forms, colors, lines, decorative formations and structural elements-formative of transcendental meanings- a phenomenon and one-sided intentionality behind which hidden meanings and intentions are hidden- its interior is multiple.

the researcher accessed it by searching its hidden meanings, filling its blanks-its blanks, decoding its codes, signs, connotations and moral references-from the meaning-and through the above-the process of searching and reading generated in the recipient (the researcher) aesthetic pleasure and pleasure through swimming and diving in the space of the outfit and its moral implications ..

the research dealt with four chapters, the first of which deals with the research problem centered on the following question: does the theatrical costume as an accidental format carry implicit, hidden meanings that lie behind its designs, materials, shapes, colors and decorations that allow the researcher to question and read it according to its theatrical contexts, especially in the intentionally selected research sample (air mail) written by: Moaz Youssef and directed by: Adel Taher.

while its importance was manifested in the study of the implicit and its aesthetics, read and realized in an important element of the theatrical performance, which is (theatrical costume), while its goal was specific to identify the aesthetics of the implicit in the fashion of the contemporary Iraqi theatrical performance.

as for its limits, it was limited to Iraq / Baghdad-al-Rasheed theater 3 / 4 / 2001, by studying the aesthetics of the implicit in the costumes of the (air mail) show, the intentionally selected sample, and the justifications mentioned in the third chapter.

as for the second chapter, the researcher paused in it to study the aesthetics of the implicit in theatrical fashion, then the previous studies and their discussion, and concluded with the indicators of the theoretical framework.

while the third chapter (procedural) included analysis and reading of the implicit in the fashion of the chosen sample intentionally, while the chapter concluded with results, conclusions, recommendations and suggestions, and a list of sources and references.

the most important results are: 1.

the implicit in the elected / analyzed sample needed a typical reader (researcher) distinguished by the ability to decipher its ciphers, fill in its blanks, and reach what was silent about it in his speech, especially the meanings that need continuous interpretations because it came full of connotations and multiple meanings, both apparent and hidden.

2.

the process of searching for the implicit meaning in the fashion (air mail) relied on the references, principles and customs of the recipient, which are different from one recipient to another.

3.

the uniform in (air mail) endured the tribal, dimensional and post-post reading.

4.

the presentation gives the researcher the opportunity to enter the space of interpretation by searching for its implicit meanings that the presentation carries with all its elements, especially the audio-visual- technical, foremost of which is fashion and its structural- formative elements.