الإيقاع في شعر نجاح إبراهيم : دراسة صوتية

Abstract EN

The phonetic dimension in poetry has captured the attention of scholars ; because it is the first starting point for every analysis that aims to reveal the structure of a text, or clarify its characteristic or characteristic, and this carries with it the dimension of the originator of the literary text ; because the phonetic aspect is an expression of the moods and attitudes of the human self and its attitudes through the linguistic given with certain frequencies that launch and prove their existence through structures that operate on multiple possibilities from the formal aspect of the poem related to weight, rhyme and the form of the given text, whether it is vertical poetry, activation or text of the prose poem or even an open text, and another aspect related to the internal given in the light of the elements of repetition and parallelism and the like as an internal feature of any written discourse that is intended to reveal its internal structure through linguistic structures that are characterized by harmony and movement based on certain systems in that text under study to discover its properties, phenomena and richness and its diversity according to its subject or poetic purpose that accounted for that structure, with an attempt to put those overall results that we received at the beginning of the research into their critical and literary position with the data and results of previous studies in terms of harmony or intersection, so this research came to look at the features vocal stylistics, especially the feature of internal rhythm in the poetry of the poet Najah Ibrahim, especially the element of parallelism, supported by the concept of repetition.