مستويات التفاعل الجمالية لجمهور كتاب الأغاني

Abstract EN

This study is one of the studies that seeks to combine what is ancient and what is modern by showing the levels of aesthetic interaction of the literature audience in the fourth century and before, in a prestigious heritage text, which is “the Book of Songs” by Abu Faraj al-Isfahani (d.

356 AH).

Because of the importance of this in proving the existence of an audience with good taste, at a good level of culture, affected by the recited or sung poetic texts, and sensing the places of aesthetics in them, and therefore its importance in achieving the goals of the rhetoric of audience, which seeks to raise the audience’s standing, and to convey their hidden voice in the bellies of heritage texts.

Our task in this research is to clarify the levels of aesthetic interaction of the audience of “the Book of Songs” in an application, and to clarify them in an integrated way, to be a basis for students to adopt later on.