البناء الدرامي الأرسطي والشكل الفلمي

Abstract EN

Aristotle's propositions in dramatic art are an original structure employed by all forms of art because they overlap with them in an integrated manner, This is what can be seen in the cinematic art that adopted the Aristotelian dramatic structure from its beginnings and development, this axiom is what motivated the researcher to identify a topic that combines the Aristotelian dramatic structure as well as the film genre, and whether each of them is affected by each other, so the title of the research was chosen (the Aristotelian's dramatic structure and the film's form), and the research relied on a theoretical framework as follows: The first chapter(the methodological framework): It included the research problem, its importance, it's objectives and the limits of the research, and concluded by specifying the most important terms mentioned in the title of the research.

Chapter Two (Theoretical Framework and Previous Studies): The researcher divided it into two sections.

The first topic: the dramatic structure of Aristotle: The nature of the dramatic structure, its properties and characteristics, and how to employ it in cinematic art, was discussed.

The second topic: The film form: The nature of the film form and the dominant features, and its relationship to the dramatic construction, were discussed.

After completing the theoretical framework, the researcher came out with a number of indicators that he adopted as tools for analyzing the sample.

Chapter Three(Research Procedures): The researcher has determined the research methodology and its society, as well as analyzing the research sample, which is the foreign film (The Beast is Calling) based on the indicators of the theoretical framework.

Chapter Four (Results and Conclusions): The researcher concluded the research with a list of the sources that the researcher relied on in order to complete the research.