تقنية التصوير السمعي : بين سيكولوجية الابداع و التصوير القرآني

Abstract EN

The Qur'anic style as a miraculous method differs radically from all expressive styles, as it is a special curve in composition and performance linked to an unlimited metaphysical creative capacity that is unique in influence and persuasion.

This is what gives (Qur'anic photography) the uniqueness and creativity of what is related to human imagery, which is based on a psychology based on emotion and limited imagination.

There is no doubt that a wide difference is observed between the two innovations in terms of performance, beauty and influence, as the Qur'anic image does not stem from emotional experiences based on a limited sensory world, but rather is shaped by a miraculous performance, revealing the experiences of humanity and its inevitable destiny, embodied in two worlds (sensual and unseen) in which mental reflections intertwine.

And psychological emotions, and this is what gives photography a holistic meaning that transcends the limits of metaphors, similes, embodiment, imagination, description, movements, colors and tones.

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, and from here it can be accepted that the Qur'anic image is a miraculous creativity with an amazing ability to influence and persuade.

This is due to its duality that can only be found in the duality of persuasion and enjoyment, as well as the multiplicity of patterns of perception, which varies between visual, gustatory, auditory, tactile and olfactory imaging.

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It is sufficient for this to be a major motivation that calls for our choice of this topic, which required delving into three axes, and a conclusion summarized the most important cognitive findings reached by the research.

The first axis was reviewed: the concept of the Qur'anic audio image, and the second axis was devoted to the discussion about: Techniques of forming the Qur'anic audio image The last axis is devoted to reviewing the techniques of correlating the Qur'anic audio image.