التناصات البينية للفنون الأدائية في اشغالاتها للفضاء

Abstract EN

From the effectiveness of self-destruction in postmodern literature, it was nominated to produce a collective, participatory text based on the demolition of taqwim based on the dimensions of textual and intellectual subjectivity and the limits of literary texts.

Literary and artistic texts converge, then, in the formation of a map (performance effectiveness) from the diaspora of its references and motions in a comprehensive hybrid, where texts (theater, dance, formation, cinema, architecture) are composed to join elements of (artistic work) outside the boundaries of races and styles and the duality of visual and spatial arts to end (Artistic work) refers to the poetics of openness and consistency in its constructive and communicative system, and accordingly the research has been structured into four chapters, as the first chapter (the methodological framework) included the research problem within the following question (about the extent of interdependence of performance arts and their mediums in the structure of (artistic work) and its operations of space And furnishing it with its comprehensive semantic system), then came the importance of researching (the cognitive information of (performing arts) outside its nationalistic and stereotypical frameworks), and the aim of the research was the following: (Know the intertwining of the performing arts in its occupations of space), and the limits of research came as follows : -Time limit: 2016-2018.

-Spatial boundary: Iraq.

-The objective limit: a study of the interdependencies of the performing arts in its occupations of space.