التنوع الإيقاعي في الكصيد الطقسي الديني : عروض البصرة أنموذجا

Abstract EN

History still preserves the renaissance of the semi-dramatic form, which is the depth of the experience where the ritual lives within its folds in a clear intertwining of cultures and the mixing of times and the intertwining between the local and African heritage that contains traditions and semi-dramatic forms in terms of practical application.

All the rituals take place in it to exercise its rights to uncover the secrets of treatment and ward off harm to man, as well as to establish interrelationships between the subjects, i.e.

the ego and the other in a space that brings together all men and women.

And informing people and sending invitations to them by giving them incense that collects and informs the individuals appointed to attend, and it is not permissible for any person to come to the plot without prior knowledge, and he must belong to one of the families and tribes that have been looted from the jinn tribe carrying a certain culture, whether he belongs to a tribe bearing the name of a specific visitor or not And there are laws that oblige those who are restricted to attend.

Here, the role of Al-Jawoush, who contributes to organizing the management of the weather ring, and calls for the names of those who are responsible and obligatory The mistake is if it deviates from the course of the loop and the weather remains in line with a mythical context punctuated by the types of rhythms and songs that differ from one color to another and the poaching that draws the features of who is present in the place represented by the stringed tanboora player who brings souls from afar and the strength of its essence and ritualism to give the place awe and modesty.