المنظومة الشكلية و التقانية و أثرهما في الفن التشكيلي المعاصر : الفن التركيبي أنموذجا

Abstract EN

The arts overlap with an interrelated and accelerated chain.

And then rebelling, seeking new ideas, to challenge and innovate from previous art references, methods dare to life, society, politics, industry and technology.

And reached the limit to exceed the boundaries of the painting and exhibition and the recipient, to challenge the art itself.

After the integration of time and space in the world of formation with its related material consequences, today refuses to submit to one work and one goal to describe a new technique of technical skill looking at the relationship between a set of elements and activate them between things.

In an innovative context that includes space, the ocean and the public.

And to employ the place according to all its potential and potential meanings.

To display art in which plastic arts merge with other structures that are adjacent and contradictory.

To establish standards and technical facts.

This was a prerequisite for the emergence of the art of installation as an existing method, which may be able to end the pursuit of modernity to escape from the ideal world and end the conflict with life.The art of composition is an artist's art or as defined by the artist.

It may be executed at an unexpected location.

Both at home and abroad.

An artistic form with origins in the art of the event, appeared in the 1960s.

It is the construction or assembly of materials and influences, which occupy and affect its surrounding environment.

And is presented for a temporary period either in an exhibition or in a non-technical context.

And the nature of the work make the presence of the recipient materially inside the work to interact within the whole scene and explore the different meanings.

The current research (the system of formality and technology and their impact on contemporary art) is an attempt to uncover and define the formal and technical system in the structural art and the diversity of the display spaces of the formal and technical system in synthetic art.

The advantages and references of what is based on the work surface for the purpose of understanding the causes of these problems and ways to reduce them through what this research through its joints to lead us to achieve a thorough understanding of what is going on in the synthetic art by understanding the causes of these problems and the disparity and the mechanisms of interpretation and system Working with those works of art.

The researcher sought in the first chapter to present the problem and the importance of the research and the methodology used in it and then identify the research objectives which are the disclosure of style and performance and the intellectual and structural implications of the system formal and technical in the art of installation.

In the first part of the second chapter, the researcher focused on the formal system in contemporary art, the technological system in contemporary art and the organizing systems of the structural art, to reach the most important result of the theoretical framework as indicators that represent the bases upon which to access the analysis and then extract its results.

The third chapter dealt with the trend towards analyzing the technical works of the artists of structural art and their mechanism and operating systems, which included the identification of the research society and its sample (4) samples that were deliberately selected through procedures and justifications for starting the analysis through analytical descriptive approach.

In the fourth chapter, the results were discussed according to the theoretical framework of the indicators and to achieve the research objectives.

Through the results of the analytical study, the researcher concluded a number of results, the most important of which are: 1.The formal and technical systems of the exhibition space, exhibition walls, floor and ceiling, with the introduction and assembly of different materials, with the actual receiver's contribution to the work of the presentation of forms that are not bound by the boundaries of the reference of material references that are compatible with the system of thought and senses for visual work required to be completed on the presence of the recipient in samples all of them.

2.

Adoption of formal systems on concepts of fragmentation, disassembly, nihilism, tampering, consumerism, marginalization, anxiety, fear, sex, and alienation in sample (1) and (3) 3.

The adoption of structural art on temporary forms that may end with the expiry of the presentation shall be based on immediate references and may differ from the references adopted by the sample recipient (4)