إشكالية الهوية و الفن في مسرحية "ألا من يشتري سهرا بنوم"

Abstract EN

Theater is an art of literature.

It has a well-established presence in literary history, and if history is the theater of the world, then it has its presence on the stage, so its events move in its drama.

His characters are the protagonists of these events, according to the playwright's vision and philosophy, no matter how many philosophical sects, and the different cultural and social trends.

The author's vision is linked to his orientation.

We do not ask him to be honest in writing history; But the ability to project it onto reality, and the identity of the playwright plays its role in projecting history onto his vision, not with the intention of disturbing and perverting history; Rather, by employing it to reinterpret history with a contemporary vision; This is what this study attempts to reveal through an analysis of the play “No One Who Buys Late Night” by Muhammad Al-Hasnawi; ; The study aims to demonstrate the validity of identity for artistic orientation, through a theatrical text inspired by history; To clarify the goal of returning to history, and revealing this vision by analyzing the techniques of the artistic construction of the play and explaining this by analyzing the elements of language (description, dialogue), the symbolism and significance of the characters, the conflict and its role in the dynamism of theatrical work, and the duality of the ence and presence of the female element in the theater because of the role it reveals Identity in the direction of the writer.