ملامح التماسك النصي في قصيدة : "البكاء بين يدي زرقاء اليمامة" لأمل دنقل

Abstract EN

This study went to the manifestation of the textual features in the poem "Azraqa al-Yamamah" by the poet Amal Dunqul, according to de Bojrand's approach, which relies on employing the standards of casting and weaving, to find the textual coherence and interconnectedness in his poem .

Casting loops the surface structure, revealing verbal coherence in the language of the text, so it has followed the means of casting: such as the pronouns and their movements, repetition of both types (pure and partial), and the different kinds of linking tools, deletions of all kinds, and then referring to their sections, as keys evident in the text.

Text, tight weave, and good casting .

And it directed towards the essential keys in the text, as it appeared in the dualities and the deep vision, as manifestations of love, highlighting the coherence of the semantic and content side of the poem .

The study concluded that the poem is characterized by the text at the apparent and essential levels.

At the level of the superficial structure the text is coherent tightly, through the criterion of casting, including the pronouns and repetition, and the tools of linking and referring.

On the level of the deep structure, Amal Dunqul Hobak tightened his text through dualities that resulted in a vision held by the strings of the text, in line with the ancient Arab heritage.

Modern.