السينوغرافيا والإخراج بين الجمالية والرؤية

Abstract EN

The scenography occupied the interest of many theorists and critics of the theater because of its philosophical, aesthetic and intellectual concepts and values, it is concerned with the study of theatrical space with all its components.

however, the misconception in the correct employment of the scenography in the Arab experience has made it oscillate between furnishing at times and adornment at other times, and in most cases the reason is due to the loss of clear vision of most directors and their lack of tools for the production of theatrical image.

the neglect of the philosophical, aesthetic and intellectual values included in the scenography through the composition of its elements for the construction of the play, requires the search for the role of the scenography in the design of the presentation, considering the scenography in all its components as the basic unit in building the integrated vision of theatrical presentation and trying to understand the close relationship between the scenography and the vision of the direction in defining parameters of the theatrical show.

which also requires serious consideration to reconsider the concepts of theatrical practice.