اشتغال المصطلح في فكر الأنتلجنسيا الفرنسية بين الكتابة التاريخية والصناعة السينمائية

Abstract EN

This study aims, to review the various academic visions of the French cinematic idea and the subject of the Algerian issue, between the presentation of the image of the self and the embodiment of the other, while addressing the various iconic representations of the images of the French Republic, through the manifestations of academic productions and film industries in the requirements of thought in its various forms, but examining the contexts The contents inevitably lead to exposure to the employment of some terms, according to what was dictated by academic writings and produced by cinematic hands in light of the so-called intelligentsia or the educated elite.