سيمياء الإيديولوجيات في مسرحية الغول بوسبع ريسان لمراد سنوسي

Abstract EN

In this article, we will attempt to study the conflicting semiotic patterns in the form of ideologies in the Algerian theater, addressing the play of "al-Ghoul Boussaba Risan" by Mourad Snoussi as a model, as it is a play inspired by the popular algerian Arab heritage, which is miraculous and exotic and symbolic.

thus, we will discuss its exotic dimensions at the level of title, personalities, friends, religious heritage, literary imagination and folk tale, where the play breached the horizon of waiting for the recipient to break all that is familiar, and criticize the Arab political reality in amazing way calling on the people to rise and demand their rights.