مركزية الصوت و انكسارها في "تعالى إلى نزهة في الربيع"

Abstract EN

The research is concerned with studying the consecration of the image of one voice through poetic discourse, through a revealing analysis of the book “come to a picnic in the spring” by the poet Muhammad Ibrahim Abu Sunna ; there are no languages other than the language of the poet ; languages representing certain classes in society that have their own voice or ideology ; this leads to the dominance of vocal centralization, and the decline of the dramatic structure, which depends on polyphonic.

what is devoted to the centrality of sound in this book is the presence of coherent meaning, whether on the formal level, or on the semantic level, where the small semantic structures synergize in creating a major semantic structure that extends to the entire text.

the coherent meaning in the divan refers to a single textual entity, which led to the establishment of phonetic centralization.