شعرية المتعاليات النصية في المجموعة القصصية "صياد النسيم" لمحمد المخزنجي

Abstract EN

This research traces the set of textual relationships that exist among themselves to create text poetry, making it a harmonious literary work of art.

the study examines these relationships based on Gérard Gannett's phrase (transtextuality) that he calls for and sets its idioms.

the research addresses the relationship of (paratextuality) and its impact on the consolidation of the message of action and its objective through the construction of parallel thresholds, and then the relationship of (intertextuality) and the identification of its types surrounding the anecdotal group.

the study then addresses the relationships (Metatextuality-Hypertextuality) and the impact of their critical interactive argumentative relationship in building work literally.

finally, the research stands in front of a relationship of (architextuality) to determine the type of literary work; to consider the issue of its overlap with other species or not.

the research's care is to scrutinize these textual relationships; it comes within the framework of a vigorous endeavour to open up great prospects for the aesthetic attachment of texts, in a way that is based on an understanding of the relationships that the text establishes with its own annexes and with other texts, and the understanding of the impact of all this in guiding the text's speech and its problematic connotations that form the essence of each literary text.