اللذة الفنية في الفن المعاصر

Abstract EN

The artistic pleasure represented an aesthetic problem, especially after the magnificent zigzag.

If the beautiful is built on positive pleasure that excites the recipient and draws him to the artistic effect, the death of the beautiful in contemporary art and the establishment of the aesthetics of the wonderful has fueled the forms of pleasure in a form of questioning its fate, but Kant confirms that the artistic masterpiece contains a unique aesthetic pleasure as negative in line with the change in the value of art that It is no longer a promise of happiness and an eradication of issues of reality, but has become resistance in all its forms.

A proposal defended by Adorno through the concept of the ugly as a form of the wonderful, establishing a rationalist resistance that restores to art its position as the ability to change and engage in the depth of tragedies.