التناص الديني في الشعر العربي القديم : ديوان الإمام علي أنموذجا

Abstract EN

The concept of intertextuality is newly emerging in modern Arab critical studies.

Arab critics have drawn it from the West through translation, and "Lintertex tualite" is a popular critical term in literary studies, since Girard Gennep published his book (Introduction to the Collective Text, in 1979) and followed it with his book Tros (PLimpsestes (1982), in which he set parameters Proportional theory and define what became known as textual attachment (Transtextulite) and considered it as "everything that draws the text into clear or hidden connections to other texts" This is a study of intertextuality in the poetry of Imam Ali (PBUH), focusing in particular on a group of intertwined persons in his office, through which he monitors the intertextual movement in it throughout the Diwan from the beginning to the end.

Hence this study is considered - in its delicate status - an applied study of intertextuality rather than a study of the Imam's office in terms of health or proportion.

I want to specify in this study what was distinguished by Imam Ali’s office (PBUH), and the uniqueness of historical religious sympathies, so that it becomes a feature that distinguishes it, and a mark that defines the artistic personality of the Diwan.

In the conclusion of the research, I put a set of my findings