أنطولوجيا الارتجال الموسيقي
Other Title(s)
The ontology of musical improvisation
Author
Source
Issue
Vol. 4, Issue 14 (31 Dec. 2022), pp.302-323, 22 p.
Publisher
مركز نقد و تنوير للدراسات الإنسانية
Publication Date
2022-12-31
Country of Publication
Algeria
No. of Pages
22
Main Subjects
Abstract EN
Improvisation, a musical practice which consists of spontaneously inventing music at the very time of its sound production.
The question posed is then the following: is improvisation not one of those cases where the ontological inquiry imposes itself on the musicologist as a prerequisite? Do not aesthetic in the evaluation and appreciation of improvisation or methodological (in the analysis of improvisation) misunderstandings result precisely from the confusion of our ontological intuitions on the subject? Yet it seems precisely that our understanding of improvisation, but also the way in which we appreciate it, do indeed depend on the ontological presuppositions that we maintain about it.
It therefore seems necessary to know what kind of thing improvisation is before being able to develop an adequate musicological knowledge of it.
It is to this prerequisite that this essay will be devoted.
American Psychological Association (APA)
المصطفى عبدون. 2022. أنطولوجيا الارتجال الموسيقي. نقد و تنوير،مج. 4، ع. 14، ص ص. 302-323.
https://search.emarefa.net/detail/BIM-1457287
Modern Language Association (MLA)
المصطفى عبدون. أنطولوجيا الارتجال الموسيقي. نقد و تنوير مج. 4، ع. 14 (كانون الأول 2022)، ص ص. 302-323.
https://search.emarefa.net/detail/BIM-1457287
American Medical Association (AMA)
المصطفى عبدون. أنطولوجيا الارتجال الموسيقي. نقد و تنوير. 2022. مج. 4، ع. 14، ص ص. 302-323.
https://search.emarefa.net/detail/BIM-1457287
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش.
Record ID
BIM-1457287