الفن بما هو نموذج خصب لتأويلية كونية عند غادامير

Abstract EN

The originality of the Gadamerian proposition of hermeneutics as an "art of understanding" is that interpretivism has ceased to consider scientific facts as a model for true understanding of ourselves, the world, or the heritage code that shapes our history.

What has become evident, while monitoring the core idea that guides all Gadamer's writings, is the philosophy of "wandering" and travel of meaning, that is, the issue of "universal hermeneutics".

Having realized the inability of the method and objectivity to tackle truth and meaning, Gadamer has daringly introduced a universal interpretivism that cannot exist unless founded on the concept of language.

Only then could the art experience along with history be a pattern of understanding that emerges from the universal pattern of hermeneutical existence.

In this sense the work of art could be considered as a fertile model for universal hermeneutics.