المتفرج و أزمة الوعي في المسرح المصري : مسرحية "يوسف ابن تاشفين" للسيد حافظ أنموذجا

Abstract EN

The Egyptian playwright al-Sayid Hafez sheds light on the reality of contemporary Egyptian theater in his play "Youssef Ibn Tashfeen".

in light of the audience's crisis of awareness, whose role has become negative, only looking for entertainment with an under level taste using the technique of meta-drama, which relies on involving the spectator in the play to become a party to the play, in addition to employing Andalusian history, by presenting a picture of the glory of the Moroccan Muslim hero "Youssef bin Tashfin" who preserved Andalusia, through which he refers to the possibility of entertaining the spectator and at the same time addressing to purposeful topics.

the most important reached result is the writer's attempt to restore the value of the purposeful theater, which raises the audience's awareness and presence.

in addition to breaking the stereotype of the traditional theater, by making the audience an active party in the theatrical performance, and raising his awareness of topics that fit for the father of arts.