شعريّة التعليق و الإدماج في قصيدة (حمائم الأيك)‎ لأسامة بن منقذ

Abstract EN

This paper seeks to connect the critical perspective to the poetic practice of Osama bin Munqith, as he is the only one to deal with this complex term: “commentary and inclusion”.

The paper is divided into two sections: the first is a theoretical one that clarifies the concept of the term and its status with its surrounding or adjacent to terms; and the other section is a procedural whose poeticism is revealed in models that are combined in the presence of the legendary imagination (Hadeel al-Hamam(; Embodying the experience of (loss) which tyrannizes the poet, and dominates his poetry, from an idiomatic perspective that dedicates the term, and a readability which seeks to approach it in his poetry.

The paper reaches a number of results including: observing the elements of the term theoretically and tasting its poetic representations procedurally.

It recommends making the Diwan of Arabic Poetry approaches this artistic technique, since it is excluded from the disputes of making poetic meaning