النسق المضمر في قصيدة المدح : قراءة في كافوريات المتنبي

Abstract EN

The study aimed to stand at the implicit pattern in the praise speech as a cultural accident created by the cultural institution to perform what it has to activate its tricks and pass its patterns under the aesthetic and rhetorical umbrella.

and by standing with al-Mutanabbi as the most prominent of this purpose in his relationship with camphor al-Akhsheedi and trying to read his praise speech from the perspective of cultural criticism in order to reveal the contents of the praise speech by al-Mutanabi, which he embodied in his cafeterias.