شعرية الأنساق لدى الشعراء الصعاليك : لامية الشنفري نموذجا : دراسة أسلوبية

Abstract EN

The structure of the traditional poem is based on a harmony between its subsystems, rhythmic, imaginative and semantic one that is hidden in the center of the collective consciousness of individuals.

those elements are mutually consolidated to make the reader read the poem as if he was the first author although he has never seen nor known him.

those poems are marked by their poetics because they are said by poets by nature, an emotion that caught the poet who drew it into verses, rhythms, predictions and views, so the reader will interact emotionally at first reading and consider it deeply.

the aim of this research is to analyze how could the brigand-poets texts cross this entire temporal gap without missing nothing of its influence, as to define how did the aesthetic and the cognitive aspects contribute in the birth of the poem and in its eternity.

one of its results : that the tramp poets crossed their time was based on a style that relies on both aesthetic and epistemology.