تشكيل الفضاء بين الرواية و السينما و المسرح

Abstract EN

This research deals with the issue of space in artworks from a comparative interdisciplinary perspective, and it stems from the premise that there is no artistic work that can be accomplished outside or in isolation from space.

Painting, poetry, theater, novel and cinema are equal in that, but the techniques used in shaping space differ from one art to another according to the difference in the methods of performance and the methods of formulation.

To test this hypothesis, three arts were chosen, namely the novel, theater and cinema, to search for similarities and differences in the techniques and artistic means adopted for the design and furnishing of space.

It is certain that the realization of the bet aspired to by this work requires, from a methodological point of view, gradation according to two complementary levels: Theoretical level whose orbit is on questioning the concept of space for philosophers, thinkers and critics of literature and art in general.

An applied level that aims to trace the patterns of space and the mechanisms of its formation in different works of art, some narrative, some dramatic, and some cinematic.

We will try, in light of what the interdisciplinary study leads to build a comprehensive compositional conception that accommodates the various aspects of differentiation and overlap between the arts in building and utilizing space.