تفكيك الخطاب الميتانقدي و مفهوم النقد الحرباوي عند حسين الواد

Abstract EN

The Maghrebian criticism could occupy a respectful position in the Arab world, through what it provided of deep critical studies, based on the up-to-date procedural mechanisms, cognitive references and new cultural trends, questioning the major critical issues and cognitive and conceptual problems, in accordance with critical approaches, which adopted the western methods as a way of keeping pace with the developments of the world critical landscape.

in this context i provided approaches, concerned with the criticism of literary studies and their questioning, in order to reveal their contents and the major issues they deal with, on the lines of what the Tunisian critic “Hussein al-Wad” in his last critical publication “the chameleon of criticism”, which discusses several Arabic critical discourses, concerned with innovation poetry during the Abbasid period.

in order to monitor the specificity of the critical discourse of “Hussein al-Wad”, we try in this research to track his method in his metacriticism approach for these works, and revealing the concept of “chameleon criticism” he came up with, based on metacriticism as a procedural path which deconstructs, analyzes and adjusts the critical discourse.