البناء التشكيلي للكتابة في العمل الرّقمي

Abstract EN

This study deals with the plastic construction of writing in digital work, and examines the development of artistic thought today and its treatment of artistic materials in different ways, as this development reflects the creative and semantic ability of the artist today, and explores the invisible semantic relations through its direct manifestation in the digital artistic impact, And training in producing artistic formations that range between two meanings: order and chaos.This does not mean mere sufficiency with simple formations or experiments with projected works that express the contents of the artistic work.

There is no doubt that the composition of writing depends, to a large extent, on the personality of the recipient and the circumstances surrounding him.

Which makes the methods of digital achievement and presentation differ from one person to another, from one experience to another, and from one time period to another, and there is no doubt that this fertility in the field of writing is a great door to the development of creativity.

The visual events, techniques, and visual facts, and they may not seem clear to the eye, they require effort, know-how and observation, as the higher the degrees of observing the artistic effect (visual visual text), the more creative the results.

Here it is related to the learner’s ability to understand and predict meaning-related dimensions, and extends far beyond the digital artistic impact.

From this point of view, writing appears to be an artistic building material, and at the same time it is an intellectual formation material, in which there is clarity that makes it organized and in it there is ambiguity that makes it “disorganized”.

In both cases, the digital scene has a trace of symbols that distinguishes it, and there are intellectual values that make it the subject f controversy, as the writing system consists of units, each of which is specialized in building and rules.