بلاغة اللغة التشكيلية تقييد للحرية أم صحوة فنية

Abstract EN

After the emergence of the cubic trend, plastic art went into an unprecedented deviation to start a revolution against the norms of plastic elopuence in the name of liberation.

and this deviation was supported by the theosophy phylosophy and the art theory.

the advocates of artistic emancipation imposed their innovative methods with great persistence, and plastic rhetoric became the object of criticism and contempt.

it became accused of restricting freedom of expression, failing to keep up with the times, and failing to create by relying on transportation, and all this happened after photography imposed itself as an important reality.

we seek, through this critical study, to explain the concept of plastic rhetoric, to clarify the factors of distraction from it, the implications of artistic liberation, and to indicate the responsibility of the critic and the need to be bold to review the criteria for evaluating beauty and theories of art, and a restoration of plastic eloquence, because language is the vessel of thought, whether it is literary or plastic.

the renaissance is not absurd, but rather concentrates on thinking and awareness.