المصطلح النقدي المسرحي : معجم المسرح لباتريس بافي ترجمة ميشال ف. خطار أنموذجا

Abstract EN

The term theatrical criticism has known since its appearance on the Arab artistic scene several obstacles at the level of employment and the level of stability and stability, and this is due to the lack of consensus on one term, to the multiplicity of interpretations in the Arabic language, and to a wide chaos in the door of Arabization, and as a result of this, theatrical critics have monitored The Arabs are the problem of this Arabization and the extent of its profound impact on the emergence of the chaos of the theatrical Arab critical term, and they tried to investigate the symptoms and consequences of this translation.

On this basis, our intervention tried to reveal the problematic of the Arabization of the critical theatrical term, in the model of Michel F.

Khattar's translation of the Theatrical Lexicon (Patrice Pavis), where the great struggle of the translator with the problem of sound Arabization appears.