العاطفة و انعكاساتها في التصميم الداخلي

Abstract EN

The current research deals with emotion and its reflections in interior design, and in the first chapter, the research problem was identified through a pause of insight, reflection and extensive study of the extent of the possibility of representing emotion and shedding light on it according to what the research seeks to express, which theorizing in the field of interior design has not been exposed to.

Being a cognitive addition to researchers in the field of interior design in the College of Fine Arts and its corresponding colleges, in order to benefit from a scientific material that is unique in dealing with the single emotion and its reflections in the designs of public interior spaces by studying the stimuli and design structures that ensure that this is achieved, and the objectives of the research were determined by revealing Emotion and the extent of its reflections in translating positive human feelings, in order to reach interior designs that have their thoughts and emotional content.

As for the second chapter, it included the theoretical framework of the research by highlighting the theoretical aspects that are directly related to the subject of the research, as the first topic dealt with the concept of emotion, while the second topic dealt with emotional stimuli.

In the internal space, and indicators, as for the third chapter, it focused on the research methodology and procedures for determining security The descriptive approach in analyzing the samples and the research community.

As for the research sample, it was for Petit Tryano Palace and Kodai-ji Temple, in order to clearly reach the objectives of the research, and the most important results were reached, namely: Emotion was characterized by active presence in both models (1,2) at the level of The designer and design in an expressive manner in which the process of extrapolating interior design is integrated.

As for the most important conclusions, it was manifested in the following: The design vision was based on its emotional dimensions according to the variables of human thought, and its emotional aspect, which gave a sensory impetus and an intellectual tributary in the nature of treating the formal structures of the elements of the design system .