التشكيل اللغوي و الدلالة في شعر أحمد دحبور

Abstract EN

The current study entitled 'the linguistic composition and semantics in Ahmed Dahbour's poetry' consists of an introduction, presentation of the study content and a conclusion.

in the introduction, the researcher has presented the reasons of selecting 'linguistic composition and semantics" as subject of the study in addition, monitoring the objectives of the intended methodology during the course of the study.

on the intertextuality analysis level, the poetic text was found to be an open environment.

this was open to the past and moving towards the future, and fruitful seed which determines the framework of intellectual presence and the implications created by the transformational semantics between the semiology of the absent text and the consequent structure of the present text.

the study has showed the distinction of dahbour at the level of linguistic composition in the variety of the typographical formations for printed writing by employing bi-black-white, segmenting words and coloring text with punctuation marks.

the poet has also succeeded in employing the semantics of linguistic repetition at the level of words and phrases in the production of coherent structures saturated with circles of rhetoric and rhythm.

as for the pronouns in the speech of dahbour, the most prominent decline is the emergence of self-ego to the ego supreme group, and for the transformations of phonetic constructions.

the role of the phonetic lengthening in the formation of semantics, the spatial and the temporal sequences of the phonetic lengthening in the texts of the poet were combined with the process of the moral context.

the conclusion has summarized the recommendations and the main findings of the study.