البنية الإيقاعية في شعر مصطفى وهبي التل (عرار)‎

Abstract EN

This research seeks to analyze the rhythmic structure in Arar poetry.

The research began by introducing the poet and mentioning some of the political and social situations in which he grew up and influenced by.

Then came, in two chapters, the study of rhythm at both the prosody and the sound levels .The first is the external melody.

It studies foot of the poet in a detailed analytical and statical way for all of its forms, situations and examples.

It also discusses the foot of the poem of Mustafa Wahbbi and his trails to renew in the templets whin he used unknown rhymes.

Teckling of Rhymes enclosed all of its forms and letters along with linking some of its sounds with the psychological sate of the poem and how his choices were related to his feelings.

The second chapter has 3 topics.

The first the structures of poem commencement tackles rhyming and other poetic features.

The second topic tackles how common it was the change in the poem foot.

Each change was tackled separately and how it affected the tone along with the reasons behind such change.

The third topic tackles "Al-Tadweer".

It defines the term and search in its reasons and effects on the tone.