شعرية التفاصيل الصغيرة في قصيدة النثر العربية

Abstract EN

This research paper aims to study the phenomenon of the use of small details, which is one of the most important aesthetic phenomena that characterized the Arabic prose poem in the post-second millennium stage, after the dictionary contract and the orchestrated language were broken, or what could be called the transcendent language in its structure and semantics, where the noble words, the vocal, were receded.

The sacred in the collective taste, which is specific to the poetry department, in belief, certainty and conception, belonging to connection and preservation, and violating the taste heritage.

With the transformations of philosophical, cognitive and aesthetic structures, concepts and visions changed, so the postmodern experience transcends a knowledge system that still exists, and does not represent a specific period.

Rather, the postmodern discourse will represent a discourse that intersects with the discourse adopted by the advocates of modernity, especially in philosophy, art and politics.

The new Arabic poetry set out towards a space befitting the self and its components and needs, and found itself biased towards the margin versus the text, the simple versus the complex, and the pragmatic versus the eclectic.

The manifestations of private deliberative, deliberative formulas and verbal mechanisms, and relied in their reading on the mechanisms of semiological analysis to reveal the semantic dimensions of the linguistic icons formed for the experience.