فيصل دراج ناقدا

Abstract EN

This article aims to introduce the Palestinian critic Faisal Darrag, as one of the pillars of contemporary Arab criticism, as well as to highlight his efforts that enriched the critical code of the Arabic novel.

in fact, he tended early to root a different critical discourse, based on liberating the reader and enriching the text, through which he criticized monotony and stagnation, under the pretext of renewing the Arab literary critical institution that was burdened by repetition and rumination.

he also criticized power and society in their relations to modernity, culture, and the intellectual, basing his approach on a philosophical reference that combined the theses of Karl Marx and Fried rich Hegel, and a critical culture he gained through his review of the efforts of George Lukacs, Mikhail Bakhtin, and others, as well as his different experiences with of Abd al-Rahman Munif, Naguib Mahfouz, Jabra Ibrahim Jabra, and Hoda Barakatt writings right up to contemporary novelists.