تقنية إعداد الممثل في المسرح الجزائري بين الملامح والإبداع: مسرحية القراب والصالحين أنموذجا

Abstract EN

Through this study, we will try to diagnose the reality of the art of acting in the Algerian theater, by addressing the technique of preparing the actor through two important stages before and after independence.

the theatrical character imagined in the text is conveyed to the recipients.

the actor is the beating heart and the only element capable of making the dramatic event.

the success of the actor in his role will result in the success of the theatrical performance through our study, we have concluded that the actor is the one who made the Algerian theatre through the stage of acting he went through, from improvisation, stereotypes, and imitation before independence, to theatrical experiences the focused on the actor and his performance on stage, and among the most important of these experiences is the epic experiences that he knew Algerian theater after independence.