الممثل صانع الأداء المسرحي: قراءة في ثنائية المتلقي وجسد الممثل

Abstract EN

The actor communicates with the audience through a diverse theatrical recitation, and thus the stage becomes a space of divergent vocal signs indicating the existence of a multiplicity of feelings to form the theatrical equation consisting of the author, the director and the actor.

the first deletes reality to make a mixture between thought and imagination.

the second receives the author’s mix, making new insights.

as for the third, he is the recipient of the author's mix and embodies the director's visions, being able to present his emotional and mental energies, and finally the creator of the theatrical life, and the recipient's role comes in another reading of reality to reproduce the artwork.

this means that the task of the theater is to search for the creative actor who can adopt this character and make it as if we are alive and capable of interacting with the recipient.

this angle raises questions and poses problems.

so, from this point of view, we establish the following problem: where is the important of the actor? and what efforts does the actor make to participate in the play? and to what extent did the director realize- as the maker of this show- the role of the actor in highlighting the beauty of the show and confirming the relationship between the fear and the recipient?