الخطاب البصري في العرض المسرحي المعاصر

Abstract EN

Vusual discourse has occupied a high position in modern and contemporary theatrical performance compared to performances that depend on literary discourse and the aesthetic of verbal dialogue.

perhaps this is due to the interest of directors, writers, critics and even the audience in this kind of theatrical performances after the emergence of new theatrical experiences and directorial trends, which she saw as keeping pace with the development of the various arts where many theatrical experiments sought to achieve the visual aspect in the directional visions and in the performance of the actor and the scenography of the hence the importance and necessity of experimenting in theatrical performances and discovering the director’s special languages and means that do not depend only on literature, but are open to the possibility of exploiting all types of audio-visual arts and employing them in an aesthetic way to achieve spectacle in the general sense.