الرؤية البصرية ودورها في الوصول إلى جوهر الأشياء في فن التصوير الإسلامي

Abstract EN

Artistic prowess in the art of Islamic photography emerged through his distinctive style, which in many of his works expresses his own philosophy, the doctrine of monotheism, and the freedom of the artist’s creativity, making clear to us features that we do not find in other arts.

among what must be mentioned and shed light on is the method of interpreting the process of vision for those images (beings) classified by (al-Tawhidi), which shows us the depth of the Muslim thinker’s surroundings, and they are visions that we ignore despite their presence in our Arab and Islamic heritage.

when we look at them, we see that they precede all visions of their time, as it stands out in the forefront when compared to contemporary visions, and perhaps this is not new for Muslim scholars, as they have preceded in various fields such as medicine, mathematics, and engineering, so it is not surprising that we see this in the field of arts, just as “Islamic art did not take all the themes and elements it encountered from the arts of civilizations.” the topics of Islamic photography varied according to geographical, historical and religious influences, which made the artist in the Islamic era use elements that serve his pictorial works in light of the thought and philosophy of the Islamic faith.