الحقيقة الفنية بوصفها أمل السلب عند الألماني ثيودور أدورنو

Abstract EN

We aim, through this article, to show Adorno’s position on western civilization in its form of a stunning industrial progress that reveals its ugly face in order to highlight the solution that was proposed to overcome the paradox of instrumental rationally that plunged man into impurities and caused him to distract from his original essence then fall in alienation and pushed him away so that he took for himself a one-dimensional reducing his being only to consuming.

on the other hand, unveiling of the position of the orthodox Marxism which limited the role of basic art in describing the human nature existence through the conditions of material life.