تشكيل الصورة في البنى النصية المختلفة في شعر أحمد حمدي: مقاربة شكلانية

Abstract EN

The study deals with the poetic image as the most important aesthetic tool for poetic creativity, in terms of its components, the way it is formed, and its relationships in its classical and modern dimension.

indeed, it gets the text out from its narrow lexical format to the semantic format.

moreover, it is one of the most attractive artistic tools of modernism.

accordingly, at this stage we can ask a question about its modernist perception that determines its uniqueness and distinction through several mechanisms, to reflect the vision of the contemporary poet, who linked it to other human arts.