نقد الصناعة الثقافية عند ثيودور أدورنو من منظور سوسيوإستطيقي

Abstract EN

This paper aims to shed light on the position of "Theodor Adorno" on the cultural industry, who is considered one of the most prominent figures of the Frankfurt school of criticism with a trend that became famous in criticizing the practices that resulted from Western modernity and its transformations, as he presented us with many critical ideas that bear an artistic dimension that includes all levels, including culture which became subject to the instrumental and technical mind and thus lost its originality and became itself stuck in the net of alienation and subject to commodification and industrialization, and he touched on this in his famous book "the controversy of enlightenment" in which he directed a critical study of the industrial production of cultural materials, as well as the transformation of both high art and popular art into commodities the cultural industry sells it, and to overcome the crisis situation, Adorno tried to rehabilitate art and make it a means of liberation through its aesthetic dimension.