جدلية البنية النظمية والنفسية للإيقاع في ديوان اللهب المقدس لمفدي زكريا

Abstract EN

In practice, the textual structure is the prosodic structure on which poetry is built, and it is expressed at the qualitative, expressive level.

on the basis of the patterns formed by consonants and vowels, iambics are generated, so poetry cannot be upright except with interactive uprightness.

the objective characteristics of poetic rhythm are an essential element in shaping the structure of the poem, and this can only be achieved through the interconnection between the rhythm of sounds and the rhythm of meanings through dialectical relationships between phonetic structures and semantic structures.

the rhythmicity of poetic lines may be understood as the periodic repetition of certain elements, as it may mean the expectation of repetition.

with units of surprises and disappointments that carry psychological, emotional, and social expressive values, they require harmony in the movement of connotations, with harmony, opposition, parallelism, and overlap, in addition to meters and rhyme and their cohesion.

this is what we find in the poetry of Mufdi Zakaria in terms of dialectics between rhythmic and psychological structures.