المشروعية النقدية للقراءة المعرفية : معلقة طرفة بن العبد نموذجا

Abstract EN

conceptual metaphor, and the ontologicalphilosophical dimension constitute a critical mechanism in revealing what thingsare in the beauty act that involves a kind of risk, and the ability to cognitivelyinterrogate the creative text, the cognitive experience provided by the ancientArabic text, especially what we can touch in Muallaqat poems that carry a kind of knowledge that transcends cultural and aesthetic consistency.

The essence ofrecognition or knowledge in the suspension of Tarfa Bin Al-Abd was based onsimulations that did not express a realistic picture or terrain, but rather anexpression of cognitive, human, experience, experience, and memories thatembodied molds that helped in the development of the creative ability, and thetransformation of the aesthetic experience into a cognitive experience.

Theinterconnectedness and solidarity between the moving and silent parts of natureformed a painting that shows the philosophy of everyday details, which is animportant cognitive source that can help the recipient in the cognitive disclosuremore than it is an aesthetic discovery, which is what we are trying to show in thesuspension of Tarfa Bin Al-Abd by delving into conceptual metaphors And itsability to determine the places and times that have been ent in the gaps andspaces of the creative text.