التصوير المشهدي في قصيدة "لم تأت" لمحمود درويش

Abstract EN

Our research paper aims to explore the depths of the gender overlap between contemporary Arabic poetic discourse and with the various arts (music, painting, theatre), so that this discourse becomes cross-border, more open without robbing it or altering it.

literary in the pure sense and the beginning of a literary form characterized by hybridity, multiplicity and transgression.

therefore, in this scientific paper, we will focus on some of the characteristics and features that show this cross-pollination between Arabic poetic discourse and other arts, which is what we call the phenomenon of scenic photography in the Arabic poem, where we will highlight some dramatic elements in that.

the photography focused on an important poem by Mahmoud Darwish, which is "it did not come", which bears within it the signs of that landscape in which the poetic image revolves around genres such as theater, the television scene, the cinematic shot, and the musical score, and from all of this we uncover the meanings and implicit connotations in the depth of poetic discourse.