البورتريه الذاتي في الفن التشكيلي: قراءة سيميولوجية للوحة "Autoportrait II" للفنان أمحمد إسياخم

Abstract EN

From the beginning of the sixteenth century to the late seventeenth century, portraits became widespread as an important type of art, and when portraits became popular, the goal was to explore the self through an in-depth vision of it, its representation and expression and the inner existence of the artist, thus highlighting his personality in the work of art and how he sees himself and how he wants others to see him, and at other times self-art aspires to present our limited self-view towards a work of art, but for Issaakhm art the subjective says nothing only about the artist, and subjective art is an expression of the individual from the ego while objective art is universal, as this aspect is not used by a purely personal artist, and it is an expression of the highest artistic awareness through works that attract the viewer, and subjective art when they are skewed can help the artist deal with his personality as emotional crises and from him the ability to help in his personal transformation.